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Director: Raihan Rafi.Writers:Adnan Adib Khan,Raihan Rafi.Stars: Shakib Khan,Mimi Chakraborty, Masuma Rahman Nabila

Review:

Director Raihan Rafi’s (Surongo, Poramon 2) Toofan is Shakib Khan’s 250th film as well, and can be described as a gory, racy, action-packed thriller about the titular character, Toofan – a man who rises to power after killing a powerful goon at the age of 15. Seeing his potential, he is taken in by a well-known Don, Bashir (Misha Sawdagor), under whose tutelage he grows increasingly cruel, and more reckless in his pursuit of power. At one point, seeing his threatening growth and killing spree, the government that he helps come to power decides to eliminate him. Toofan uses his doppelganger – struggling actor Shanto – to escape his fate.

The plot and design would remind the audience of several films, right from Om Shanti Om to Don and Don 2, to Animal and KGF (obvious from the look Toofan portrays). The two main songs, Dushtu Kokil (Kona and Akassh) and Ura Dhura (Pritom Hasan and Debosrie Antara) will also remind one of songs such as Dil ka telephone, Bandhobi Lolita and Dard Karara, while a lot of the dialogues make references to the ’90s Bangladeshi pop culture and popular actors like Salman Shah. Beyond this, the plot barely touches on anyone else’s life or background. That said, with stereotypical characters, false wigs and hilarious quips, even with a slow start, the film rapidly spins a web of hate and gore that escalates quickly in the second half. Sharp editing (Jobayar Abir Peal) and excellent cinematography (Tahsin Rahman) in the second half work well to build up the thrill of the chase, which rushes to a roaring climax.

In the acting department, Shakib Khan plays up to his innocent looks as Shanto, while he is commanding as Toofan. As his girlfriend, Suchona, Mimi Chakraborty has a few scenes, but she has a far more convincing and strongly written character than the hapless Julie, played by Masuma Rahman Nabila. Loknath Dey and Gazi Rakayet provide good support to Sultan’s terror-filled life as he goes through one gory rampage after another, establishing himself as a merciless, demonic killer, while in a short but extremely powerful role, Chanchal Chowdhury is chilling as ACP Akram.

Despite the garbled storyline and the lack of character development, Shakib Khan manages to charm his way through the film, which is absurd at many levels, but is fun to watch till the end.

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Director: Venkat Prabhu

Writers: M Prasad Babu

K. Chandru,Ezhilarasu Gunasekaran

Stars:Joseph Vijay

Sneha Trisha Krishnan




Review: In the 2007 film, Azhagiya Tamil Magan, a young Vijay is pitted against his look-alike. Seventeen years later, we get to see the same thing, but only now it is Thalapathy vs Ilaya Thalapathy. GOAT throws open a new version of Vijay for fans to celebrate. With GOAT, Vijay is not only a Venkat Prabhu hero, but also the Venkat Prabhu villain.




MS Gandhi (Vijay), a highly-skilled agent of the Special Anti-Terrorist Squad (SATS), is your typical ‘Family Man’, who hides his occupation from his wife (Sneha). He takes grocery list while making a move against villains. The couple, parents to a boy (Jeevan), are expecting their second child. Gandhi’s SATS team constitutes of Sunil Thiagarajan (Prashanth), Kalyan Sundaram (Prabhudeva), Ajay (Ajmal Ameer) and their boss Nazeer (Jayaram). On a work-cation trip to Thailand, an unpleasant incident changes his life and his approach to work. Cut to 17 years, Gandhi is now an immigration officer, who spends his days stamping passports, and taking care of his daughter who lives with his wife. The couple are separated. On a work trip to Russia, Gandhi accidentally meets his long-long son Jeevan, a young Vijay. And thus begins a cat-and-mouse game.




With action and emotional sequences, the first half of the film sets a stage for an interesting interval block, which supposedly packs a punch, but predictably factor boils down the catharsis. The second half has plenty of twists, but the climax scene - a fan-pleaser set during the CSK live match - is a bit of a drag. The story line follows a very familiar template, and the narrative, unfortunately, is very easy to foresee. The film’s overall length is a concern too. The action sequences too are just about average. The face-off scenes between young and old Vijay is engaging. With a conventional story, director Venkat Prabhu capitalises heavily on Vijay’s trademark charm. With de-aging technology, he gets to do it twice as well! Vijay is GOAT, no doubt, and he pulls off both the roles with ease. Playing a younger boy in the de-aging version, and adapting to the mannerisms gets full marks. His villainous side is very compelling. Vijays are the biggest asset of GOAT. With Vijaykanth as a front, Vijay also sends a ‘political message’ for his fans. Kokila Mohan as Rajiv Menon, a former SATS officer gone rogue, has done a great job as a bad boy, but between the two Vijays - Thalapathy and Ilaya Thalapathy - his character gets lost. Prashant, Prabhudeva, Sneha, Jayram, Meenakshi Chowdary add to Vijay’s charm. Yogi Babu and Premji bring the comic relief, with former scoring big in the Gandhi-Nehru bit. De-aging technology has been crafted extremely well, contrary to the comments that we saw after the release of the trailer.